Sunday, October 17, 2010

Phish brings a bursting three-night run in Broomfield


I had a chance to take a week off of work to cathc nights two and three of Phish's three-night run in Broomfield, Colo. In retrospect, the Monday's show was great, and Sunday's was still pretty good despite a lackluster set list and discord among some fans.

Here are a few pictures I took and videos from Youtube.









Friday, April 23, 2010

An evening with Dark Star Orchestra

While taking a quick vacation to Seattle last weekend, we found out that Dark Star Orchestra was playing at the Show Box Theater in downtown Seattle, near Pike's Place Market. I had never seen this band before (for a while I thought it was a classical tribute to the Grateful Dead) but I eventually found out the band is actually a straight-up tribute to The Grateful Dead, and they do a great job sounding like the legendary jam rockers, while adding some of their own musical tangents.

The crazy thing about DSO is how precise they aim to cover historically accurate GD set lists, while also "channeling the Dead" and transversing mystical musical jams that sound very natural and very Grateful Dead.

Seeing the band during the spring tour gave us a chance to see new lead guitar player and vocalist Stu Allen join the DSO. Allen, who has played in Melvin Seals and the JGB Band, Avalon Allstars, The Jones Gang, Workingman's Ed, Stu and Pat Nevins acoustic and more, does well to lead the talented group through interesting improvisations, landing back in the song's groove flawlessly.


Drummer Rob Koritz and Stu Allen get in-sync during the second set of the DSO show April 17, in Seattle. Allen joined the band on lead guitar and vocals beginning April 7, 2010. Photo by Brad Devereaux

The rest of the band members do their parts well, too, with drummers Dino English and Rob Koritz playing intricate tromping drumbeats in unison and Rob Barraco (keys) slipping out psychedelic melodies and laying down chords to fill out the compositions. Rob Eaton (rhythm guitar, vocals) and Kevin Rosen (bass, vocals) match the tone of the Grateful Dead with their instruments as well as vocals.


Actually, the entire band was impressive with the accuracy of their vocals. Not only that, each musician stays true to their original singing part in the Dead - Stu doing Jerry, Rob doing Bob, and so on (I can't say this is true for every song they played, but I noticed it on the majority).

The One Way or Another Tour continues through May 1 with dates in northern California. They will continue to tour through early August, including performances at Mountain Jam 6 June 4-6 in Hunter, NY, All Good Music Festival July 8 in Masontown, WV, plus more.

I would reccomend Dark Star Orchestra. They do a great job of making the Grateful Dead's sets come alive in all their glory. Also, it is nice to be able to see these songs played at smaller venues, where getting close to the band is easier and the crowd isn't packed into every crevice of the building. They do, however, draw a decent crowd, and the many people in the audience seemed to be spreading the good vibes just like the DSO.





Wednesday, April 14, 2010

Black Ribbons - Shooter Jennings and Heirophant


What would the world be like without freedom of speech on the radio? What if the government controlled everything on the airwaves? What if tonight was the last night of radio; the final radio show?

Shooter Jenning's newest offering, Black Ribbons, is a far departure from the country rocker with serious roots and country paying chops. 

Everything Else is Illusion starts the album off, a musically diverse mish-mash of rhythym and blues, electronica with a gothic sound.

In God Bless Alabama Shooter plays an acoustic and sings a diddy that sounds more his usual fare, though there is an (oscilator-sounding guitar?) accompanying him and voicing its own opinion of the arrangement all the while.

A lone piano opens the third track, Triskaidekaphobia, with lyrics and music that make me think "Nine Inch Nails on piano." This is actually my favorite track of the album, after listening to Black Ribbons several times.

The track builds to the end, then ends softly, transitioning into the second narration/radio commentary by Stephen King, "Last Night Radio 11:29 am."

King Introduces Fuck You I'm Famous, a message sent to anyone who told the rising star he wouldn't make it on the way up. This is an in-your-face rock/punk anthem.

Lights in the Sky sounds similar to the Steve Miller Band and is remnisciant of 1980s-Pink Floyd, with the addition of a T-Pain voice floating around on the track. Though it is washed in thick effects, it adds a nice variety and a different flavor to the album.

The title track, Black Ribbons, is a stripped-down emotional ballad with Shooter, his acoustic guitar and his words for the verse, with a slew of other instruments and singers joining in to back him up for the chorus, which is catchy.

"Man down tie a ribbon 'round my soul / I'm in the black and i'm out of control / Like a ship lost in the night / With no direction or a guiding light / Man down and I'm drowning in the pain / Face down like a needle in the vein / Nobody's gonna keep me sane / But somehow I can't keep you out of my rain."

Cue a marching troupe and organs to signal King's next narration, a spooky late-night radio interlude that introduces Summer of Rage by Hierophant (the fictional band in the album). King says the song is a nostalgic tune, re-mindful of the times when the country's economy was down in the dirt, "and we didn't think things could get any worse."

Heirophant again brings out their electronic, yet organic, tone, to lay down another unique and futuristic sounding composition. The end of the track ends with an announcement about "total control" or something, which really reminds me of Joe's Garage by Zappa.

"I'm alright, what you gonna do? I went to California to get away from you," the words of California via Tennessee -is a rocker anthem written by Ike Reilly.

In the Illuminated, Shooter's voice is again mixed with some different effects, including distortion and autotune in places. A horse-galloping tick fades in and out of the 5-minute song. Shooter sounds similar to Maynard from Tool/A Perfect Circle in the somber verse and other parts of The Illuminated.

The final radio spot by King is at 11:57 pm, and the album closes with When the Radio Goes Dead and All of this Could Have Been Yours.

I like this album. Longtime Shooter fans may not like it.

But whatever your opinion, you must agree this album is something different from Shooter. 

Sunday, March 7, 2010

A summer of music festivals in 2010

10-14: Canadian Music Fest, Ontario; Our Lady Peace, Cage the Elephant, Great Lakes Swimmers.
12-14: BLOC, Somerset, UK; Salt N Peppa, Grandmaster Flash.
17-21: SXSW, Austin, Texas; a large lineup of bands.
21-23: Jam in the Dam, Amsterdam; The Bridge, Les Clypool, The New Mastersounds, Umphrey's McGee, Yonder Mountain String Band.
26-27: Birds on a Wire, Pullman, Wash.; Justin Townes Earle, Damien Jurado, Frontier Ruckus, Maldives, more.
26-27: Ultra Music Festival, Miami, Fla., The Crystal Method, Groove Armada, Carl Cox and more.
27-28: The Bamboozle, Anaheim, Calif.; AFI, The Bouncing Souls many more.
18-April 3: Savannah Music Festival, Georgia; Large variety of genres including Wilco.

9-11, 16-18, 23-25: Texas Crawfish and Music Festival, Spring, Texas; check site for updates.
15-17: Wanee, Live Oak, Fla.; Allman Bros. Band, Widespread Panic, Derek Trucks.
15-18: Old Settler's Music Festival, Austin, Texas; Joe Ely, 7 Walkers ft. Bill Kreutzmann.
16-18: Coachella, Indio, Calif.; DEVO, Echo and the Boneymen, Jay-Z, Phoenix, LCD Soundsystem, Gorillaz and many more.
16-18: Rhythym and Blooms Festival, Knoxville, Tenn.; Carrie Rodriguez, The Old Ceremony, Samantha Crain, Yarn, 18 South, the Black Lilies, more.
22-24: Florida Music Festival, Orlando; Third Eye Blind, Flogging Molley.
23-25: McDowell Mountain Festival, Arizona; Assembly of Dust, Robert Randolph and the Family Band.
23-May 2: New Orleans Jazz and Heritage Festival; Pearl Jam, Simon and Garfunkel, My Morning Jacket.
28-May 2: Sunfest, West Palm Beach, Fla.; Weezer, ZZ Top.
30-May 2: Gamble Rogers Folk Festival, St. Augustine, Fla.; Ralph Stanley and the Clinch Mountain Boys, Loudon Wainwright, Janis Ian, John Cowan Band, Pierce Pettis, Greg Brown, Patty Larkin, more.
30-May 2: Beale Street Music Festival, Memphis, Tenn.; Widespread Panic, Blues traveler, Jeff Beck, Earth Wind and Fire, Flaming Lips.


7-9: All Tomorrow's Parties, Minehead, England; Currated by Matt Groening; Iggy and the Stooges, Deerhunter, Panda Bear, the Residents.
14-16: Bluegrass from the Forest, Shelton, Wash.; Michael Cleveland and Flamekeeper headlining all three days, several top regional bands, master workshops, band scramble, band contest, banjo contest, great jamming indoors and out, vendors and much more.
28-30: Summer Camp, Illinois; Umphrey's McGee, Keller Williams, STS9, Pretty Lights, Victor Wooten and Moe.
28-30: Florida Folk Festival, White Springs, Fla.; Visit site for details.
28-30: Desert Rocks, Moab, Utah; Emmitt-Nershi Band, The Motet and Friends, The Naked Eyes.
29-30: Detroit Electronic Music Festival, no lineup yet.
29-31: Sasquatcth, the Gorge, Washington; My Morning Jacket, OK Go, Minus the Bear, Massive Attack, Public Enemy.


4-6: Mountain Jam VI, Hunter Mountain, NY; Gov't Mule, Levon Helm and Friends, 70th birthday celebration (with very special guests), Derek Trucks and Susan Tedeschi Band, Matisyahu, more.
10-13: Bonnaroo, Manchester, Tenn.; DMB, Tenacious D, Weezer, Flaming Lips playing DSOTM.
11-13: Download, Donington Park, UK; AC/DC, RATM, Aerosmith, Wolfmother.
11-13: Isle of Wight, Newport, UK; Paul McArtney, Jay-Z, the Strokes, Editors, Friendly fires, Orbital. A Jimi Hendrix tribute band will play at the big top.
11-19: Riverbend Festival, Chattanooga, Tenn.; 5 stages, 100+ bands in
cluding Darius Rucker, Uriah Heep, George Clinton.
16-20: NXNE, Toronto - Check site for updates.
24-July 4: Milwaukee Summerfest, Wisconsin; 311, Jeff Beck, Tom Petty, The Moody Blues, STS9.

1-4: High Sierra Music Festival, Quincy, Calif.; Railroad Earth, Cornmeal, Zach Deputy.
4?: American Music Festival, Berwyn, Ill.; Bands to be announced.
16-18 Pitchfork Music Festival, Chicago; Modest Mouse, LCD Soundsystem and several others.
30-Aug. 1: Camp Bestival, Lulworth Castle, Dorset, UK; many acts including Madness, Friendly Fires, George Clinton and the Parliment Funkadelic, DJ Yoda and Hypnotic Brass Ensemble.
30-Aug. 1: Fuji Rock, Naeba, Japan; Flogging Molly, Muse, Air.
30-Aug. 1: All Points West, NJ; Jay-Z, Yeah Yeah Yeahs.

6-8: Lollapalooza, Grant Park, Chicago; Check Website for updates.
20-22: Hoxeyville Music Festival, Wellston, Mich.; Check Website for info.
20-22: The Green Man Festival, Wales, UK; headlined by the Flaming Lips.

September 2-5: Didmarton Bluegrass Festival, Nr Cirencester, Gloucestershire, UK; Peter Rowan, Claire Lynch Band, Show of Hands, more.

*This list will be updated throughout the summer as more festivals are announced and/or discovered. If there are any summer music festivals going on in your neck of the woods, please leave a comment and it will be included in the list. Hopefully, this list will be more complete as the summer rolls on, and will serve as a guide to people looking for some great live music.

Also, please comment about which festivals or other shows you are most excited about this summer.




Missing acts
A few popular festivals aren't returning this year.

10,000 Lakes in Minnesota is on hiatus until further notice, according to their Web site, stating that the operation could not reach financial success.

The Rothbury fest in rural Michigan has also announced there will be no festival in 2010, citing a contributing factor of not being able to assemble a "cutting edge roster" for the weekend festival, according to a statment on the Rothbury Website.

"Despite the 2010 postponement, we intend to move toward continuing ROTHBURY in 2011. This event is something very special, and we are unwilling to potentially tarnish what ROTHBURY is, and can become, by working under conditions that will produce anything less than a magical experience," according to the statement.

The future of the Monolith Festival at Red Rocks in Morrison, Colo., is also unknown, but according to the fest's Facebook page, Organizers are working on a solution for 2010.

The Circle K Tempe Music Festival is on hold for 2010, citing similar roster problems as other fests.

Wednesday, February 10, 2010

The last Red Rocks Incident












I am excited for the short string of cheese incidents that were announced by the String Cheese Incident. The Colorado band returns to the stage at one of their favorite backyard spots, Red Rocks.

Since The Cheese played their final scheduled show of 2007 at Red Rocks Aug. 9-12, they have made one other appearance as a band at the Rothbury festival in Michigan. The members have participated inb various solo and other musical ventures throughout the hiatus.

After the first night of these shows, Angie and I drove straight to Red Rocks without finding a place to stay (camp). Everyone at the show told us there was camping all around so we weren't worried.

But when the show got out it was late and we chose a random road to start out on. We drove for maybe an hour, before deciding to pull over and sleep on the shoulder of the road.

When we woke up we were in a wilderness looking area, with miles of forest in every direction.

We stayed in Denver the next day and made sure to head that way after the show.

The next day, we returned without tickets, but someone searched us out and convinced a stranger to give us free tickets.

The girl had been "miracled" the night before, and seemed to be trying to fulfill her karmic duties by bringing a miracle to another.

"Well maybe I'd take $20 for them," the man mumbled, but was swiftly interrupted by the girl with the fairy wings and Rainbow Brite hair.

"No way, you said miracle, you said miracle, man, that's not cool," she warned. The man gave in to her plea and gave up the tickets. We felt a little strange, but thanked him and went inside.

I attended the August Red Rocks shows, and I am excited to try to go to the next turn up the riverbed.

Some photos of the Aug. 2007 parking lot scene at Red Rocks Amphitheater in Golden, Colo., just a short drive West of Denver.

Friday, February 5, 2010

Bonnaroo to sport a psychadelic theatrical cap?


Hello?

Hello

hello.




Is there anybody in there?



Just nod if you can hear me.



Is there any-one home?





When I noticed a supposed "leaked" version of the artist lineup for Bonnaroo 2010 was posted on the Web, I looked at the flier, scanning from the bottom up, waiting to see what it said the top few bands would be this year.

When I saw the words "Roger Waters performing the Wall" I was, to say the least, excited. I've always wanted to see The Wall, performed in all it's theatrical glory, played live in front of a huge roaring crowd. I read while ago that Pink Floyd would not give permission for any bands (or high school drama troupes, for that matter) to play the rock opera live, limiting the masterpiece to just a few live performances (beyond Floyd's original touring to support the album) over the past decades by Waters himself.

I have listened to Waters' performance of The Wall in Berlin in 1990 countless times, and the recording captures the original pompous British extravaganza and musical roller coaster to a T. I can't wait what it will sound like at Bonnaroo. Let's just hope this is not a rumor!

There are plenty of other cool bands on the leaked flier including 311, The String Cheese Incident, DMB, Jay-Z, Tenacious D, My Morning Jacket, STS9, Les Claypool, Phoenix and Stevie Wonder. See the flier below:



Last year was a great lineup and I appreciated that the Bonnaroo people brought in the Jam kings (Phish) to right the direction of the festival ship. This year looks like another good one, even if part of the flier is accurate. Though several acts are likely to be correct, the advertisement could also be a fabricated lie. We'll have to wait until Feb. 9 to find out.

There are bands from many genres, though the experimental jam-esque vibe of the festival's roots is well-represented. There is no lack of talent in this year's line up. And what better act to cap the night than the talented psychedelic storytelling of Roger Waters.

I wonder if concert-goers will be required to eat any pudding before going to see the show.

UPDATE:

OK, it looks like the flier was not entirely true, but there are a few bands that have matched up, as Bonnaroo announces the artists one by one on their Myspace page.

Confirmed true, also on the "leaked" poster: DMB, Phoenix, Jay-Z.

New confirmed acts: OK Go, Medeski, Martin and Wood, Cross Canadian Ragweed, Neon Indian, Jeff Beck.

An interisting an awesome Pink Floyd twist: The Flaming Lips with Stardeath and White Dwarfs perform "Dark Side of the Moon."

Friday, November 13, 2009

Thursday, August 20, 2009

Les Paul will live on



A special edition guitar named "Spirit of America." The guitar is made from 
materials that were removed from the Statue of Liberty during the 1986 
restoration. Photo by bridge used under Creative Commons license. 

With the news that Les Paul died last week at the age of 94, the world of music lost a great musician, futurist innovator and the creator of some of rock and roll’s greatest gear.

Born June 9, 1915, Paul learned several instruments in his youth and played in several country bands in his teens. In the 1930’s he set out with a vision to revolutionize the electric guitar.

He built the first electric guitar pickup in 1934 using spare radio parts. He built his first prototype solid body electric guitar 1941. It was different from the hollow body guitars existing at the time, which vibrated and resonated to produce a tone.

Nicknamed “the log,” Paul’s creation was more like a railroad tie with a guitar neck and strings than it was a guitar. The guitar produced a tone (or signal) from the strings vibrating above a magnetic pickup, and the guitar body did not resonate much at all.

The first Les Paul guitars and similar guitar designs from Leo Fender and Adolph Rickenbacker were produced in the early 1950’s.

Once the design was tweaked and perfected, the Les Paul would become a top choice for guitarists from many genres. Artists continue to use the legendary axe and span multiple decades, including Jimmy Page of Led Zeppelin, Slash of Guns ‘n Roses, Bob Marley, George Harrison, Duane Allman, Chuck Berry, Billie Joe Armstrong of Green Day, Jimi Hendrix, Lindsey Buckingham of Fleetwood Mac, Joe Perry of Aerosmith, Frank Zappa, Randy Rhoads, Johnny Winter and Neil Young, to name a few.

The Les Paul guitar became a staple of famous rock and blues guitarists worldwide, and also a permanent fixture leaning in the corner of the living rooms of amateurs and enthusiasts everywhere.

In the 1940s, Paul built his first recording studio and began to pioneer some techniques that are still used today including microphone techniques, echo delay and multi-tracking. In the early ‘50s he built the first eight-track recorder, which allowed musicians to record sounds from several sources (simultaneously or one at a time) and mix them into a song, altering tone, volume and pan of each separate track. Multi-track recording is still widely used today and without it there would be no Sgt. Pepper’s, Pet Sounds or Dark Side of the Moon. Without Paul’s invention, the direction of the recording industry would be unknown.

His guitar playing was as unique as his guitar designs and Paul continued to play music up to the end of his career, putting out an album in 2008 and winning a Grammy in 2006 for “Les Paul and Friends: American Made World Played.” Throughout his career, Paul explored a few different genres, most notably country and jazz.

Upon learning of his death, many artists and musicians have spoken out to the news media about Les Paul’s influence and impact to the music world. Several bands have paid musical tribute by playing Paul’s tunes at their concerts.

The Les Paul guitar has come a long way from the prototype design, with hundreds of different models available. Gibson created several guitars in 2007 and 2008 such as the Robot Guitar and the Dark Fire that integrated computer systems into the Les Paul design. The advanced versions of the log allow for automatic computerized tuning of the tuning pegs and switching pickups and coils automatically while playing.

Recording systems have grown in complexity, but they are still just advanced versions of what Paul came up with in the 1950s.

So while Paul is now strumming with the likes of Jimi Hendrix and Bob Marley, his ideas continue to be the backbone of a musical tradition that will never die.

Originally published in the Lovell Chronicle.

Wednesday, August 19, 2009

Phish and a few bad mangoes

A variety of shirts for sale in the lot at the gorge in 2009. 
Angie and I left Thursday for the Gorge Amphitheater in George, Washington. Phish was playing a two-night stand in the middle of nowhere.

From Wyoming we drove west on I-90 through Bozeman and Missoula, stopping for sushi and picking up supplies as we drew closer to our destination. Having never been in the area, we both marveled at the tree covered rocky hillsides that surrounded the highway.

Rolling hills and farmland emerged as we pushed into Washington. We made it to the campground adjacent to the amphitheater and pulled in to a nice, centrally located spot.

We set up our tent and met our neighbors, students from Montana State University in Bozeman, who were excited for the weekend and had never seen Phish live before. I assured them they would have a great time during the concert and while soaking in the friendly atmosphere of the community of Phish fans.

Angie and I walked down to an improvised marketplace where a few vendors were set up alongside the campground path stretching for about a quarter mile. Dreadlocked entrepreneurs were selling everything from T-shirts to burritos and quartz stones to Pepcid AC. We bought some burritos and headed back to camp for the night.

We fell asleep like cats under the stars as a constant stream of cars trickled into the venue through the night. The next morning, we awoke to find ourselves entrenched in a sea of tents and RVs. Bustling activity was going on at 8 a.m. as the sun came out, heating the nylon domes and forcing campers to step outside to stay cool.

After some refreshments, we headed back out to mingle with the crowd and check out the marketplace. The fan-run marketplace had grown like mold overnight. The once laid-back trading center had become a flurry of commerce, with people shouting their wares for sale, pulling coolers out in front of walking crowds to sell cold drinks and a solid wall of display tents for about a half-mile.

A band with four keyboards, a leslie speaker and a drum set was getting ready to play, complete with a gas generator to power amps and equipment. Back at camp we chatted about the songs we wanted to hear the band play.

Ready for Phish.
Coincidentally, we brought mangoes to eat as did our neighbors. We enjoyed the exotic fruit as anticipation for the night’s show grew and show time became closer. The campsite came alive with people yelping and howling as they celebrated and prepared for the evening of music. Everyone was talkative as we made a mile-long trek to the venue, which is situated on the edge of a gorge overlooking the Columbia River.

Walking over the hill into the venue was astounding, and we watched the sun go down until the lights finally went out and Phish took the stage. The band busted out some of their best songs, exploring a gamut of musical textures while improvising over the grooves laid out in their original compositions. Along with a tour of their newest album, Phish threw the crowd a few pleasers, even nailing a great version of the technically challenging Fluffhead, a song they had stopped playing in 2000 and picked back up in 2009.

After the show, we walked like cattle back to our campsite with visions of sugar plumbs still dancing in our heads from the night of music. The next morning, it was nothing but relaxing until the next show. We hung out at the campsite with our neighbors, finding it impossible not to chuckle at the “new jazz” coming from a few campsites over, where a dreadlocked man rocked while blowing unrestricted melodies on a harmonica while an acoustic guitar played in an unrelated key. Every once in a while he would pause to yell obscenities at his friends.

People walked through our camp all day, some talking to themselves, others selling veggie burritos or giving away free hugs. We made a lot of friends just hanging out as people would drop by and talk about the previous night’s show or what they hoped for at the coming performance. With their first Phish experience under their belts, our campsite neighbors from Bozeman said they had a great time and even recognized a few songs.

We were all tired but looking forward to another great night. Eventually, show time rolled around and we headed to the grass hill to hear Phish once again.

We left camp late this time and as we crested the hill, the band began the first notes of another favorite – the Mango Song. We wondered if we had somehow triggered the song to be played with our unique snack choice earlier.

 They continued through an adventurous two sets of music, pulling out many hard rocking songs including an encore of Led Zeppelin’s Good Times, Bad Times. Again, we floated back to camp, thankful for the great experience we had that weekend. Everything went great and I was glad to be a part of the group of people nestled on the remote patch of grass for the weekend.

When our neighbors made it back to camp, they were still dancing to the music when they noticed their tent had been broken into and several valuable items were missing. Angie and I noticed our tent was unzipped, too, but no valuables were inside and nothing was taken.

As one of our neighbors slumped down in a camp chair, rightfully annoyed that her backpack, phone, GPS unit and other items were taken, a sobering mood fell upon our camp. We all enjoyed the free community feel of the concert, but now we were witnesses to the dark side of the community.

The shady characters who don’t have any interest in the music, but rather, are along for the scene or the money surrounding the tour. Though Angie and I left the venue unscathed, I couldn’t help but think what our neighbors were thinking about the group of fans that call themselves Phishheads. I hoped that the sour taste in their mouth wouldn’t over power the fun times they had over the weekend.

What was a quick buck for one thief destroyed the happy mood of the weekend for our group right away. To sum it up the moral seems a little bit obscure, but in a big group there are always a few bad mangoes no matter how good the bunch is. I will try not to let the experience bother me and continue to enjoy the community at concerts like this, but from now on I’ll be more careful and always lock my tent.

Originally published in the Lovell Chronicle, August 2009.

Friday, March 20, 2009

311 Unity Tour 2009



Nick Hexum plays on the 2008 311 tour. / 311.com

311 recently announced a Midwest / West Coast summer tour to follow their spring tour. The spring tour begins April 15 in Tuscon, Ariz., and finishes May 16 in Nashville. The Summer Unity Tour will pick up on June 3 in Bakersfield, Calif., and continue through July 12 with a closing show in Irvine, Calif., for a total of 47 dates in three months. 

The tour will include such venues as Red Rocks in Golden, Colo., The University of Iowa Fieldhouse, The Orange Peel in Asheville, NC, The Austin Music Hall in Austin, Texas and The Saratoga Performing Arts Center, to name a few. 311 will headline with a variety of opening acts including Ziggy Marley, Full Service, Red Jumpsuit Aparatus, Passafire, The Urgency, Blue Island Tribe, The Movement and The 88, with others to be announced. Check out 311.com for details.

Monday, March 9, 2009

No Doubt's Entire Digital Catalog: Free With Online Ticket Purchase

No Doubt, who recently announced a 2009 tour, will be giving away a digital copy of their entire discography to anyone who buys a top price level ticket (priced greater than $42.50) online for most dates on No Doubt's upcoming Summer tour, according to a statement on the band's Wbesite dated March 2, 2009.


"Since the band is heading back to the road, we wanted to find a cool way to get people listening to our music and stoke them with a great deal at the same time.  With this download its easy for fans to get psyched up to hear our music live once again and that rocks," No Doubt guitarist Tom Dumont said.


This download includes more than 80 songs from the band's seven studio albums:


  • The Singles 1992-2003 (2003)
  • Everything In Time (B-Sides, Rarities, Remixes) (2003)
  • Rock Steady (2001)
  • Return Of Saturn (2000)
  • Tragic Kingdom (1995)
  • The Beacon Street Collection (1995)
  • No Doubt (1992)


Also included is "Stand And Deliver" (originally by Adam And The Ants) - No Doubt's newest recording, only available with the download offer.  


The 2009 No Doubt Summer Tour is the first tour since the band co-headlined with Blink 182 in 2004. The Sounds, Janelle Monae and Bedouin Soundclash will open for No Doubt on select dates. 


Tour dates:

May 2, 2009 Atlantic City, NJ

May 3, 2009 East Rutherford, NJ

May 16, 2009 Las Vegas, NV

May 19, 2009 Fresno, CA

May 20, 2009 Bakersfield, CA

May 22, 2009 San Diego, CA

May 23, 2009 Phoenix, AZ

May 25, 2009 Salt Lake City, UT

May 27, 2009 Denver, CO

May 28, 2009 Albuquerque, NM

May 30, 2009 Dallas, TX

May 31, 2009 Houston, TX

Jun 2, 2009 Tampa, FL

Jun 3, 2009 West Palm Beach, FL

Jun 5, 2009 Atlanta, GA

Jun 6, 2009 Charlotte, NC

Jun 8, 2009 Raleigh, NC

Jun 10, 2009 Virginia Beach, VA

Jun 11, 2009 Philadelphia, PA

Jun 13, 2009 Pittsburgh, PA

Jun 14, 2009 Washington, DC

Jun 16, 2009 Toronto, CAN

Jun 17, 2009 Montreal, CAN

Jun 19, 2009 Darien Center, NY

Jun 20, 2009 Boston, MA

Jun 24, 2009 Uncasville, CT

Jun 26, 2009 Holmdel, NJ

Jun 27, 2009 Wantagh, NY

Jun 29, 2009 Cleveland, OH

Jun 30, 2009 London, ON, CAN

Jul 2, 2009 Milwaukee, WI

Jul 3, 2009 Detroit, MI

Jul 5, 2009 Saint Paul, MN

Jul 6, 2009 Kansas City, MO

Jul 8, 2009 St. Louis, MO

Jul 10, 2009 Indianapolis, IN

Jul 11, 2009 Chicago, IL

Jul 13, 2009 Winnipeg, CAN

Jul 15, 2009 Calgary, CAN

Jul 16, 2009 Edmonton, AB, CAN

Jul 18, 2009 Vancouver, CAN

Jul 19, 2009 Seattle, WA

Jul 21, 2009 Concord, CA

Jul 24, 2009 Sacramento, CA

Jul 25, 2009 Mountain View, CA

Jul 27, 2009 Universal City, CA

Jul 28, 2009 Universal City, CA

Jul 31, 2009 Irvine, CA

Aug 1, 2009 Irvine, CA

Aug 2, 2009 Irvine, CA