Wednesday, April 14, 2010

Black Ribbons - Shooter Jennings and Heirophant

What would the world be like without freedom of speech on the radio? What if the government controlled everything on the airwaves? What if tonight was the last night of radio; the final radio show?

Shooter Jenning's newest offering, Black Ribbons, is a far departure from the country rocker with serious roots and country paying chops. 

Everything Else is Illusion starts the album off, a musically diverse mish-mash of rhythym and blues, electronica with a gothic sound.

In God Bless Alabama Shooter plays an acoustic and sings a diddy that sounds more his usual fare, though there is an (oscilator-sounding guitar?) accompanying him and voicing its own opinion of the arrangement all the while.

A lone piano opens the third track, Triskaidekaphobia, with lyrics and music that make me think "Nine Inch Nails on piano." This is actually my favorite track of the album, after listening to Black Ribbons several times.

The track builds to the end, then ends softly, transitioning into the second narration/radio commentary by Stephen King, "Last Night Radio 11:29 am."

King Introduces Fuck You I'm Famous, a message sent to anyone who told the rising star he wouldn't make it on the way up. This is an in-your-face rock/punk anthem.

Lights in the Sky sounds similar to the Steve Miller Band and is remnisciant of 1980s-Pink Floyd, with the addition of a T-Pain voice floating around on the track. Though it is washed in thick effects, it adds a nice variety and a different flavor to the album.

The title track, Black Ribbons, is a stripped-down emotional ballad with Shooter, his acoustic guitar and his words for the verse, with a slew of other instruments and singers joining in to back him up for the chorus, which is catchy.

"Man down tie a ribbon 'round my soul / I'm in the black and i'm out of control / Like a ship lost in the night / With no direction or a guiding light / Man down and I'm drowning in the pain / Face down like a needle in the vein / Nobody's gonna keep me sane / But somehow I can't keep you out of my rain."

Cue a marching troupe and organs to signal King's next narration, a spooky late-night radio interlude that introduces Summer of Rage by Hierophant (the fictional band in the album). King says the song is a nostalgic tune, re-mindful of the times when the country's economy was down in the dirt, "and we didn't think things could get any worse."

Heirophant again brings out their electronic, yet organic, tone, to lay down another unique and futuristic sounding composition. The end of the track ends with an announcement about "total control" or something, which really reminds me of Joe's Garage by Zappa.

"I'm alright, what you gonna do? I went to California to get away from you," the words of California via Tennessee -is a rocker anthem written by Ike Reilly.

In the Illuminated, Shooter's voice is again mixed with some different effects, including distortion and autotune in places. A horse-galloping tick fades in and out of the 5-minute song. Shooter sounds similar to Maynard from Tool/A Perfect Circle in the somber verse and other parts of The Illuminated.

The final radio spot by King is at 11:57 pm, and the album closes with When the Radio Goes Dead and All of this Could Have Been Yours.

I like this album. Longtime Shooter fans may not like it.

But whatever your opinion, you must agree this album is something different from Shooter. 

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